From £40 per hour The Recording Process: Record your vocals over a High Quality WAV or High Quality stems using analogue equipment into a DAW. The Mixing Includes: Fundamental equalisation techniques to balance your sound Fundamental compression techniques to control dynamics Fundamental auto-tuning techniques to enhance vocal performance Fundamental reverb and delay techniques for depth and space Fundamental parallel processing to add richness and texture The Mastering Process: The master is done within the session If the song is ready. After completion, the basic mix is mastered using an automated analog system. The mastering process is conducted in real-time with advanced analog equipment and a fully automated setup. Within minutes of finishing the process, you will receive a download link to access the final product conveniently. Please note that any changes made to the master will be billed at the current hourly rate of Stem Recording Studio Sessions. Exclusions Please be advised that the current mix and master DO NOT incorporate the following specialised elements: NO Professional Effects for Vocals and Instruments. This refers to advanced processing techniques such as reverb, delay, and modulation which are typically utilised to enhance the tonal quality and presence of vocal tracks and instrumental elements. NO Advanced Distortion and Saturation Techniques. This includes the application of intricate distortion effects and saturation methods that can add warmth, character, and complexity to audio tracks, which are often essential in achieving a polished sound. NO High-Quality Vocal Pitch Correction. The project does not apply professional-grade pitch correction tools that ensure vocal tracks are perfectly tuned, which is crucial for achieving a polished and professional sound. NO Methods for Analog Routing. This entails the use of analog equipment to route audio signals, providing a traditional approach to sound processing that is valued for its unique sonic qualities. NO Techniques for Analog Bussing. This refers to the process of grouping multiple audio tracks together through an analog mixing console, allowing for cohesive control over their collective sound and dynamics, which is not implemented in this mix. NO Distortion and Saturation Techniques These methods involve altering audio signals to add warmth or character, which are not part of this service. NO Analogue Routing The traditional approach of using physical equipment to direct audio signals through different pathways is not utilised here. NO Analogue Bussing This refers to the process of combining multiple audio tracks into a single signal using analogue hardware, which is excluded from this mix/master. NO Track Automation Track automation in music production is the process of making changes in your mix occur automatically over the course of the song. It allows you to control how various parameters of a track, such as volume, pan, effects levels, and more, change over time. This is achieved by creating a set of instructions that the Digital Audio Workstation (DAW) reads and executes as the song plays. NO Vocal Automation Vocal automation is the process of changing various aspects of a vocal track over time within a Digital Audio Workstation (DAW). This allows you to manipulate the sound of the vocals dynamically, creating a more engaging and expressive performance. NO EQ Sweeps EQ sweeping is a technique used in audio engineering to precisely identify specific frequency igradually moving an EQ band's center frequency across the audio spectrum changing in the sound. Other things NOT included are listed below - Advanced EQ Techniques - Advanced Compression Techniques - Advanced Auto-Tune Techniques - Vocal Stutters - Tempo Transitioning - Echo and Delay Automation And more.

From £25 per hour. The Recording Process: Record your vocals over a WAV or an MP3 using analogue equipment into a DAW. The Mixing Process: Vocal and Instrument Effects. Basic Equalisation Techniques. Basic Compression Techniques. Basic Auto Tuning Techniques. Basic Reverb And Delay Techniques. The Mastering Process: The master is done within the session. Preset driven Multi-band compression Preset driven Dynamic Equalisation Preset Driven parametric Equalisation. The application of limiting and analog emulation processing on the stereo master bus ensures that the final mix achieves a loudness level comparable to that of commercially produced records. Exclusions This mix/master process DOES NOT include the following specialised techniques: NO Distortion and Saturation Techniques These methods involve altering audio signals to add warmth or character, which are not part of this service. NO Analogue Routing The traditional approach of using physical equipment to direct audio signals through different pathways is not utilised here. NO Analogue Bussing This refers to the process of combining multiple audio tracks into a single signal using analogue hardware, which is excluded from this mix/master. NO Vocal Pitch Correction Any adjustments made to the pitch of vocal performances to ensure accuracy are not included in this service. NO Track Automation Track automation in music production is the process of making changes in your mix occur automatically over the course of the song. It allows you to control how various parameters of a track, such as volume, pan, effects levels, and more, change over time. This is achieved by creating a set of instructions that the Digital Audio Workstation (DAW) reads and executes as the song plays. NO Vocal Automation Vocal automation is the process of changing various aspects of a vocal track over time within a Digital Audio Workstation (DAW). This allows you to manipulate the sound of the vocals dynamically, creating a more engaging and expressive performance. NO EQ Sweeps EQ sweeping is a technique used in audio engineering to precisely identify specific frequency igradually moving an EQ band's center frequency across the audio spectrum changing in the sound. Other things NOT included are listed below - Advanced EQ Techniques - Advanced Compression Techniques - Advanced Auto-Tune Techniques - Vocal Stutters - Tempo Transitioning - Echo and Delay Automation And more.

Classic Mix Prices From £300 The Line Imprint Includes: First, all your tracks are prepared carefully to avoid any distortion or undesirable artefacts. The individual tracks are then routed through a Neve summing mixer, which adds warmth, clarity, and depth that digital processors cannot replicate. Then those multi tracks are then imported into Studio One. The Mixing Includes: The mixing process encompasses various professional techniques, including equalisation (EQ) methods, compression and parallel compression strategies, auto-tuning and pitch correction practices, as well as reverb and delay applications. Additionally, it involves the utilization of professional effects for both vocals and instruments, including distortion and saturation techniques. The Tape Import Process The final stereo mix is imported and re-recorded using a 1/4" stereo master tape recorder called the Studer A812. Its combination of transformer-balanced inputs and outputs, along with clean IC-based circuitry, provides an excellent balance of transparency and subtle depth. This results in a mix that has both clarity and richness. The Mastering Process Using cutting-edge equipment, your music track is meticulously routed through a variety of high-end analog audio gear. This process ensures that every nuance of your sound is captured with exceptional fidelity. The combination of vintage compressors, EQs, and tape machines interplays to bring warmth and depth to your mix, delivering a truly authentic representation of your artistic vision. You'll experience the richness and detail needed to elevate your song to its highest potential, making it sound exactly how you envisioned it.

Complete Mix Prices From £1,500 Neve Imprint Process First, all your tracks are prepared carefully to avoid any distortion or undesirable artefacts. The individual tracks are then routed through a analogue Neve 5059, which adds warmth, clarity, and depth that digital processors cannot replicate. DAW Mix Process In the next step, the treated tracks are imported into the Digital Audio Workstation (DAW). Here, various professional techniques are applied, including equalisation (EQ), compression, and parallel compression strategies. Additionally, auto-tuning and pitch correction methods are used, along with reverb and delay effects. Professional sound effects are also used for both vocals and instruments, incorporating techniques such as distortion and saturation. The Stem Bounce In the initial phase, the mixing engineer meticulously crafts individual audio stems, which include distinct groups of instruments like powerful drums, resonant bass lines, soaring guitars, and emotive vocals, as well as any specialized effects that enhance the overall sound. Once the stems are perfected, they are carefully packaged and delivered to the tape export process, ensuring that each element is clearly defined and ready for the next stage of the production process. The Tape Export Process The final stems are imported and re-recorded using a 1/4" stereo master tape recorder called the Studer A812. Its combination of transformer-balanced inputs and outputs, along with clean IC-based circuitry, provides an excellent balance of transparency and subtle depth. This results in a mix that has both clarity and richness. The Mastering Process Using cutting-edge equipment, your music track is meticulously routed through a variety of high-end analogue audio gear. This process ensures that every nuance of your sound is captured with exceptional fidelity. The combination of vintage compressors, EQs, and tape machines interplays to bring warmth and depth to your mix, delivering a truly authentic representation of your artistic vision. You'll experience the richness and detail needed to elevate your song to its highest potential, making it sound exactly how you envisioned it.

Absolutely, but be aware that to release the track commercially you will need to purchase the instrumental. Please be aware that this only applies to the Essential Package

These slots are to ensure the engineer has enough time to give your session a quick mix, and to ensure all clients have a fair amount of time.

In simple forms stem recording is being able to record vocals over the stemmed-out tracks of an instrumental, resulting in a cleaner more polished yet impactful mix. The problem with recording on a WAV or MP3 is that master limiting/compression has already been applied, so it can only reach a level of loudness, clarity or impact without distorting. When recording over the individual track outs of the track we can EQ and separate the instruments around the vocals and other colliding frequencies resulting in a more polished track with improved clarity.

When recording during a essential session, a limiter is applied to the final output. This ensures the mix is about as loud as commercially released records. Alongside a limiter, a 2-bus compressor plugin and a mastering plugin are engaged to give a full loud master for free. This all happens while you record, allowing the quick delivery of a finished track.

The Mixing Includes: Basic EQ. Basic Compression. Basic Auto Tuning. Basic Reverb Basic Delay This package does not include any extensive pitch correction, parallel compression or extensive instrumental or Vocal Effects.

If you need to change anything, a separate session will need to be booked.

To fully maximize the dynamic capabilities of the session, it is essential to provide full multi-track or grouped stems, as this is only applicable with the proffesional mix. An MP3 offers too low a quality to fully represent the stereo field and imaging of the track. While a WAV file is typically sufficient (depending on the source), however, to take full advantage of the Solid State Logic analog summing mixer, only multi-track or group stems should be used. There are no exceptions to this rule. As a general guideline, it's advisable to provide all the beat stems or trackouts for your song. Doing so gives your audio engineer complete control over the sound of your track, allowing them to address any mixing issues related to the beat. This flexibility enables them to make your vocals blend better within the mix by carving out certain frequencies while boosting or preserving others. It's important to remember that many producers have limited audio engineering experience, which often leads to mixing issues in their beats that can be corrected by a more experienced audio engineer. The vast majority of songs released by major labels and intended for mass consumption are mixed with engineers having full control over the individual tracks. These professionally mixed songs feature well-defined kicks, snares, bass lines, and melodies, which are difficult to achieve if the artist records only over a single track of the beat. For instance, if you need to boost the kick sound in a WAV or MP3 file, your only option will be to increase the low frequencies. However, this won’t provide the same clarity and definition as simply turning up the kick track. Moreover, if you amplify the entire beat, you risk drowning out the vocals.

Absolutely. In addition to as much written information as possible you’re welcome to provide a rough mix as well as a commercially released reference song, as these will be useful as guides for the engineer.

We accept WAV or AIFF files at 44.1, 48, 88.2 and 96kHz; 16/24 or 32 bit. Please supply us with mono or stereo files, clearly named and without audio clipping. Stereo files will be counted as 2 tracks of audio, for example ‘Strings L & R’ will be counted as 2 tracks. You will need to provide multi-tracks that are consolidated or bounced from the start point of your song (bar 1 beat 1 or start time code). All files must be of the same duration, sample rate and bit depth. Sorry, but we cannot accept DAW sessions (i.e Pro Tools, Logic, Cubase etc). We ask that you also double check your audio files before uploading. Reload them into a new Session/Project, checking that they are the correct placement and length, Also checking that any crossfades have been included when consolidating or Bouncing in Place.

10 mins is the maximum. If more time is required you will be charged. The amount is up to the the discretion of the engineer.

If you are planning to release your music on iTunes, Spotify or anything you need a streaming master. These streaming sites use normalisation on your final master to make the level of all songs uploaded to their site the same level, and if it is not correctly calibrated it will affect the quality of you master when going trough these platforms.

Artifacts like clipping and distortion cannot be removed in the mix process, if there is too much distortion or clipping in the mix it cannot be worked on and would require a re recording.

The Handsome Audio Zulu is an innovative passive analog tape simulator and bus processor designed to replicate the classic warmth and character of analog tape recording systems. With its carefully crafted design, the Zulu introduces a new era for studio and live sound engineers who seek the unique sonic qualities that analog tape provides. It enriches digital tracks with the organic qualities that only analog can offer, adding weight, depth, and a soulful color to the sound that is often lacking in the digital realm. Featuring a versatile interface, the Zulu allows engineers to explore a wide range of sound textures. Its enhanced controls provide an extensive array of options, from gentle saturation and compression to harmonic colouring and detailed transient response.

Ideally not. We ask that you please supply multi-track files dry, without reverb or effects. But, if you feel that a specific effect, processing or creative element (filter sweeps, delays etc.) is an integral part of the sound then it is fine. Please note that any excessive limiting, compression or EQ that is applied will severely restrict our engineers ability to mix the track.

You probably would ask why would one even do this? The answer is simple, yet complicated. It sounds better?? The most commonly cited characteristic of analog recording is its "warmth”. Tape warmth adds a level of colour to the sound, primarily softening the attacks of musical notes, and thickening up the low frequency range. Recording at slightly hot levels to analog tape can also produce a nice distortion that works well with certain types of music. Regardless of how you choose to implement it, the sound of analog tape can be a great addition to your digital mix. exporting your mix via a tape machine 2 adds some cohesive “glue” on the mix bus. Or, you may find the tape is just the thing to add a bit of understated warmth and low-end punch to your mix. Bandwidth is the ability of a recorded signal to be reproduced at varying degrees of resolution. Think of it like enlarging a low-resolution image versus a high-resolution image. After a certain point, enlarging a lower-resolution image will become pixelated and difficult to see, where the hi-resolution image will resize clearly. Like images, audio signals can have a limited bandwidth if recorded digitally. Once a digital recording is made, the bandwidth is set in place. An analog recording is considered unlimited. Therefore, it can move to a higher and higher resolution without losing its original quality. The combination of transformer balanced inputs and outputs and clean IC-based circuitry offers a perfect combination of transparency and subtle "oomph" that you'll instantly recognise once you hear it - it's just "that sound"!

WAV or AIFF please. Uncompressed stereo with a bit depth of at least 16bit, ideally 24bit and a sampling frequency of 44.1kHz up to 96kHz. No pre-processing using limiting or normalising – we need as much headroom as possible to work with to make sure that your tracks sound as good as possible when we mix it. FX, compression for colour or specific EQ is allowed. however please be aware the more processing you do the less we do which will definitely affect the quality and clarity of your mix.

NO, Mp3 are not allowed when mixing either the Classic Package or the Complete Package.

The difference between mixing in the box and using the Neve summing mixer is astonishing due to the impact it has on the sound. Every mix requires its own unique treatment. The continuously variable Texture control, featuring Silk Red and Silk Blue modes, allows you to fully manage the harmonic density and tonality of your mix. Unlike traditional EQ, the controls on the Neve 5059 saturate the output transformers, adding rich, musical harmonics to the source material. Above all, the most important feature of the 5059 is its legendary sound!

All packages come with the separate mixes along with the master file. You can ask specifically for the master to not be included, however the price of the package ordered will be the same.

Plenty of headroom please. Artifacts like clipping and distortion cannot be removed in the mix process, so allow plenty of headroom when printing your multi-tracks to avoid any.

Via google drive or we transfer. All files will be saved on google drive for up to 3 months.

Single - 1 Month EP - 2 Months Album - 3 months This applies to all services.

In most cases, clients normally don’t understand the mastering process so they believe the mix and master to be the same, or in some cases think a bad mix can be fixed in the master. And in some cases the artist will spend ££££ on a mix only to find out they need to spend another £££ on a master. We offer both services in one package to avoid all the confusion and time consumption that is associated with music.

Once the correct forms have been filled out you will be sent an invoice. You will then need to pay the NON REFUNDABLE deposit for the project to start. Once the NON REFUNDABLE deposit has been paid, you will need to send the requested files via we transfer or uploaded to the google drive provided. When all files and deposits have been made the engineer will instruct you on the date on when the service will start. Once everything has been agreed, the project will start and be completed within the deadlines provided. After everything is completed, you will be required to pay the full amount to receive all files, unless payment is asked for before hand which is up to the sole discretion of the engineer.

After years of mixing, specific clients have specific needs, for instance someone who has a limited budget or wants something out there quick will require less work than a veteran artist that needs attention and care to their mix. With that in mind several packages have been created to suit your needs.

£25 Per Hour 1 Mix & Master of the WAV 1 Mix & Master of the MP3 This is the standard price for a specific package ordered via the site. With this general price, you will receive the following: 2 Hours - £50 4 Hours - £85 6 Hours - £120 12 Hours - £240 These are extra charges on top of any package that has been ordered. Alternative Version This is alternate versions of the mix, for instance, if you need to send a version to the radio, you would pick the radio version. If you needed to perform your track you would select the PA edit Upon Request (During Session) £25 per hour (Outside Session) ​Exported Multi Track This is where the individual tracks that have already been mixed are exported. Upon Request (During Session) £10 per track (Outside Session) Exported Stems: Not to be confused with Multi-Track. This is where the bus or group channel is bounced down to a single stereo file. IE: if there are several guitar riffs, they will all be bounced/exported as one guitar stereo file. Upon Request (During Session) £10 per hour (Outside Session) DAW A Digital Audio Workstation (DAW) is a software application used to record, edit, and produce audio. A “session” refers to the master document that contains maps of all elements associated with a project, including audio files, MIDI data, and all your plug-in effects, edit and mix information. Included in the session file is a playlist, which defines groups of regions arranged on each audio or MIDI track. Please note: Any tracks that are routed via analogue equipment or plugins you do not have will not be recognised in your host system DAW. Upon Request (During Session) £50 (Per Track) You need to have Harrison Mixbus Pro 10 to load up the session.

£40 Per Hour 1 Mix & Master of the MP3 & WAV This is the standard price for a specific package ordered via the site. With this general price, you will receive the following: 2 Hours - £80 4 Hours - £140 6 Hours - £200 12 Hours - £400 These are extra charges on top of any package that has been ordered. Alternative Version This is alternate versions of the mix, for instance, if you need to send a version to the radio, you would pick the radio version. If you needed to perform your track you would select the PA edit Upon Request (During Session) £40 per hour (Outside Session) ​Exported Multi Track This is where the individual tracks that have already been mixed are exported. Upon Request (During Session) £20 per track (Outside Session) Exported Stems: Not to be confused with Multi-Track. This is where the bus or group channel is bounced down to a single stereo file. IE: if there are several guitar riffs, they will all be bounced/exported as one guitar stereo file. Upon Request (During Session) £20 per hour (Outside Session) DAW A Digital Audio Workstation (DAW) is a software application used to record, edit, and produce audio. A “session” refers to the master document that contains maps of all elements associated with a project, including audio files, MIDI data, and all your plug-in effects, edit and mix information. Included in the session file is a playlist, which defines groups of regions arranged on each audio or MIDI track. Please note: Any tracks that are routed via analogue equipment or plugins you do not have will not be recognised in your host system DAW. Upon Request (During Session) £40 (Per Track) You need UAD Luna Pro to load up the session.

Classic Mix £1,500 1 Mix & Master of the original Edit. 2 Mix & Master of an edit of your choosing. Both formats are delivered in: WAV 48 Khz / 24 Bit. MP3 320 kbs. This is the standard price for a specific package ordered via the site. With this general price, you will receive the following Revisions A Mix Revision - £375 This can be anything from changing a re-verb setting or reconstructing a drum line (within reason.) Each additional change that is applied and bounced or exported out counts as a revision. A Master Revision - £375 This is the change to the final master file. This means the master will be changed, if anything specific needs to be done, like turning down the ad libs etc then this will need to be addressed in the mix. These are extra charges on top of any package that has been ordered. Alternate Mixes or Versions - Included These are alternate versions of the mix, for instance, if you need to send a version to the radio, you would pick the radio version. If you needed to perform your track you would select the PA edit Individual Stems (Multi-Track or Track Outs) Multi Tracks or Track Outs - are single instrument tracks or vocal tracks. For example, an individual audio file for the Kick, Snare, Guitar, Piano or Lead Vocal, backing vocal, ad-lib etc. Group stems - are a group of sounds of a category packed in a single audio file. Such as the group of all drums, the group of all guitar tracks or the group of all recorded vocals of a track. The Files will be processed through Izotope RX to make sure all audio is cleaned up & repaired for further processing. "Grouped" Stems - Included "Individual" Track-Outs - Included DAW Sessions - Negotiated A Digital Audio Workstation (DAW) is a software application used to record, edit, and produce audio. A “session” refers to the master document that contains maps of all elements associated with a project, including audio files, MIDI data, and all your plug-in effects, edit and mix information. Included in the session file is a playlist, which defines groups of regions arranged on each audio or MIDI track. Please keep in mind in order to access the session you must have the program "Pro Tools Ultimate"

Classic Mix £300 1 Mix & Master of the original Edit. 1 Mix & Master of an edit of your choosing. Both formats are delivered in: WAV 48 Khz / 24 Bit. MP3 320 kbs. This is the standard price for a specific package ordered via the site. With this general price, you will receive the following Revisions A Mix Revision - £75 This can be anything from changing a re-verb setting or reconstructing a drum line (within reason.) Each additional change that is applied and bounced or exported out counts as a revision. A Master Revision - £75 This is the change to the final master file. This means the master will be changed, if anything specific needs to be done, like turning down the ad libs etc then this will need to be addressed in the mix. These are extra charges on top of any package that has been ordered. Alternate Mixes or Versions - £80 These are alternate versions of the mix, for instance, if you need to send a version to the radio, you would pick the radio version. If you needed to perform your track you would select the PA edit Individual Stems (Multi-Track or Track Outs) Multi Tracks or Track Outs - are single instrument tracks or vocal tracks. For example, an individual audio file for the Kick, Snare, Guitar, Piano or Lead Vocal, backing vocal, ad-lib etc. Group stems - are a group of sounds of a category packed in a single audio file. Such as the group of all drums, the group of all guitar tracks or the group of all recorded vocals of a track. The Files will be processed through Izotope RX to make sure all audio is cleaned up & repaired for further processing. "Grouped" Stems - £50 "Individual" Track-Outs - £50 DAW Sessions - £1,200 A Digital Audio Workstation (DAW) is a software application used to record, edit, and produce audio. A “session” refers to the master document that contains maps of all elements associated with a project, including audio files, MIDI data, and all your plug-in effects, edit and mix information. Included in the session file is a playlist, which defines groups of regions arranged on each audio or MIDI track. Please keep in mind in order to access the session you must have the program "Studio One Professional"

Once you have completed the required forms and paid the non-refundable deposit for the project, the process will officially begin. You will need to upload the stems or track outs using the forms provided. After all files and the deposit have been submitted, the engineer will inform you of the start date for the service. Once everything is agreed upon, the project will commence and will be completed within the specified deadlines. After the project is finished, you will need to pay the full amount to receive all files, unless the engineer requests payment beforehand, which is at their sole discretion.

The fee structure is based on a per-project basis rather than an hourly rate, which allows for flexibility concerning the project's completion timeline. However, to ensure the project is concluded within a specified timeframe, certain services will impose deadlines for completion. It is anticipated that the project will be finalized in approximately half of the designated time, with the remaining period allocated for refinement and enhancement of the deliverables. Upon reaching the deadline, clients will be required to purchase a new package, as there are no rollovers permitted. This implies that any mix or master revisions from the previous package will not be applied to the new package. Once a package has been purchased and the deadline has lapsed, refunds will not be issued. Nevertheless, at the discretion of the engineer, work on the project may still proceed beyond the stipulated deadline.

Recording Essential Recording Package 1 Hour Addition = 1 Point 2 Hour Session = 2 Points 4 Hour Session = 4 Points 6 Hour Session = 6 Points 12 Hour Session = 12 points Premium Recording Package 1 Hour Addition = 2 Points 2 Hour Session = 4 Points 4 Hour Session = 8 Points 6 Hour Session = 12 Points 12 Hour Session = 24 points Mixing Classic Mix Package Single = 20 Points Ep = 80 points Album = 200 Points Playlist = 400 points ​ Complete Mix Package Single = 40 Points Ep = 160 points Album = 400 Points Playlist = 800 points Sessions Deluxe Studio Sessions Single = 15 Points Ep = 50 points Album = 150 Points Playlist = 300 points Premier Studio Sessions Single = 30 Points Ep = 100 points Album = 300 Points Playlist = 600 points

When all revisions have be exhausted you will need to order more revisions. Revision ad ons are only valid until the deadlines have been reached. Unless agreed other wise, when the deadline is finished you will need to re order the package again.

Stems or "Group Stems"are stereo recordings sourced from mixes of multiple individual tracks. For example, a drum stem will typically be a stereo audio file that sounds like all of the drum tracks mixed together. In most cases, additional processing such as equalisation, compression, and time-based effects is included to ensure that the sound achieved by the mixing engineer is committed.

A mastering engineer is a person skilled in the practice of taking audio that has been previously mixed in either the analog or digital domain as mono, stereo, or multichannel formats and preparing it for use in distribution.

"Track-outs" of "Multi-tracks" are the recorded separate, individual elements of an audio production. For Example, Kick, Snare, Main Vocals etc etc. Some may be mono, while others are stereo. They may have been recorded from microphones or direct inputs, programmed in a sequencer, or arranged in a sampler. In many cases, time-based effects such as delay and reverb are excluded to allow flexibility for the mixing engineer.

The mixing engineer is responsible for combining all of the different sonic elements of a recorded piece of music into a final version and balancing the distinct parts to achieve a desired effect.

BIT RATE - refers to the amount of kilobytes (KB) per second that audio outputs. Generally, a higher bit rate indicates better audio quality. For example, MP3 files typically have a bit rate of 320 KB/s while WAV have a minimum bit rate of 1411 KB/s. BIT DEPTH - indicates the range of measurements in audio quality. A higher bit depth results in better quality for stored or reproduced sound. MP3 files usually have a bit depth of 16 bits while WAV can have a maximum of 32 bits.

These are the various types of mastering processes available, each with its unique approach and benefits: In House - Digital Master Available on the Essential Recording Package This mastering method relies solely on digital plugins and software to process the track. While digital mastering can effectively enhance loudness and thickness, it often reaches a limit where the mix can begin to exhibit unwanted artifacts, such as distortion or a crushed signal. As a result, digital masters might lack the warmth, power, and punch that some listeners crave, though they generally maintain a high level of cleanness and clarity in the sound. This option is included at no extra cost with either the Essential or Premium recording package, making it a convenient choice for those looking for a straightforward digital solution. AI Analogue Master Available on the Premium Recording Package Available on the Deluxe Session Package This innovative approach uses advanced artificial intelligence algorithms to analyze the mix and determine the best processing techniques for enhancing sound quality and increasing playback volume. The AI effectively simulates the work of a human mastering engineer by making intelligent adjustments tailored to the specific characteristics of the track. After processing, the mix is translated to analogue equipment, combining the efficiency of AI with the depth, complexity, and warmth traditionally associated with analogue mastering. This option is offered for free with the Classic Mix package, and it is also available as an optional upgrade for clients choosing the Premium recording package. Analogue Master Available on the Classic Mixing Package Available on the Premier Session Package In this time honoured mastering method, real analogue equipment—such as valve processors, transistors, and tape machines—is utilised to master the track. This hands-on approach avoids any digital plugins, allowing for a more organic sound. Analogue masters are known for their fuller, richer sound quality, often perceived as having increased warmth, power, and punch. The process introduces a specific kind of clarity that many musicians and producers seek, making it a popular choice among those looking for a vintage or classic sound. This option is available as an additional service to clients who select a Classic Mix Session and is provided free with the Complete Mix package. Stem Master Available on the Complete Mixing Package Stem mastering is a more detailed and precise method that requires the submission of a mix that has been broken down into multiple sub-mixes, or "stems." These stems are typically categorized by instruments or vocal tracks, allowing the mastering engineer to focus on individual elements of the mix. By layering the stems on top of each other, the engineer can selectively address any problematic areas, improving the overall balance and quality of the final track. This option is particularly beneficial for complex mixes that require fine-tuning and is available with the Complete Mix Session, providing a tailored, detailed approach to mastering.

Separation of Stems in the Music Industry In the music industry, it is essential to distinguish between two primary types of stems: 1. Individual Stems (Track Outs) 2. Group Stems Individual Stems (Track Outs) Individual stems, referred to as multi-tracks or track outs, consist of single instrument or vocal tracks. Examples include distinct audio files for individual elements such as the kick drum, snare drum, guitar, piano, lead vocals, backing vocals, and ad-libs. When purchasing beats online, these components are commonly classified as individual stems. Group Stems In contrast, group stems comprise a collection of sounds from a specific category, consolidated into a single audio file. This can encompass all drum sounds, all guitar tracks, or all recorded vocals for a particular piece (also known as an a cappella track). Group stems are frequently utilized by mastering engineers, video editors, and producers within film production. To enhance the overall quality of a musical composition, it is advisable to select individual tracks rather than group stems. Producers typically refer to “tracked out stems” as individual stems, thereby alleviating any potential confusion regarding terminology. There exists a multitude of reasons why professionals engage with stems, all of which ultimately contribute to several key advantages: - The ability to control the overall mix - The capability to manage the song arrangement - The adjustment of volume levels for each individual track - The manipulation of specific frequencies within individual tracks - And additional factors Producers and audio engineers necessitate control over the mix to produce a final product that meets industry quality standards. This is the primary function of tracked-out stems. The Superiority of Stems Over MP3 or WAV Formats MP3 files are not recognized as an industry standard and fail to deliver sound quality comparable to that of commercial radio. This deficiency can be attributed to the inferior quality associated with MP3 files. Technical Considerations MP3 The MP3 format is a compressed audio format, which employs a compression algorithm to reduce file size (making it approximately one-tenth the size of a WAV file) while striving to maintain reasonable sound quality. However, this compression process often results in the loss of significant musical information, leading to diminished low-end frequencies (bass) and a reduction in higher frequencies (definition). Consequently, the MP3 format is primarily suitable for streaming or storing music but is rarely utilized in professional audio production. Typically, the creation of an MP3 file occurs as the final step before submitting a master recording to streaming or digital sales platforms. The quality of an MP3 is contingent upon its bit rate, with the highest standard being 320 kbps (kilobits per second). WAV In contrast, WAV is a lossless waveform audio format, representing the most accurate digital reproduction of an original audio waveform without altering its sonic properties. As an uncompressed format, WAV files allow immediate access to the stored data without the necessity of decoding, which can lead to loss and errors when importing files into a digital audio workstation (DAW). This characteristic establishes WAV as the industry standard for professional audio applications. Users can determine the audio file’s resolution by selecting the sample rate (measured in Hz) and bit depth (measured in bits) prior to exporting. Typically, individuals utilize DAWs to work on tracks that are exported at either 44100 Hz or 48000 Hz and 24 bits to guarantee high audio quality. Stereo Beat (2-Track Instrumental) A stereo file of a beat consists of a 2-channel (left and right) MP3 or WAV file that contains the complete instrumental composition. When downloaded after purchasing a license, this file may be unmastered, while a download offered for free may be in a mastered state.

A mix revision can be anything from changing a re-verb setting or reconstructing a drum line (within reason.) Each additional change that is applied and bounced or exported out counts as a revision.

A master revision is the change to the final master file. This means the master will be changed, if anything specific needs to be done, its like turn down the ad libs etc then this will need to addressed in the mix.

Normal length of the track being mixed 5 mins (Max) with a 200 track limit. Mastering is a 5 Day Turn Around (Minimum). PROCESS Line Imprint Classic Mix Tape Export Analogue Master REVISIONS 3 FREE mix Revision (of the original Mix) 2 FREE Master Revision (of the original Master) ADDITIONAL PRICING Additional Version £80 Full individual track - outs £50 Group Stems £50 Extra Mix Revision (Mix Revision time frame roughly 2 hours.) - £75 Extra Master Revision - £75 Project Session​ Studio One Professional DAW £1,200 ​DELIVERY 1 Mix & Master of the Original Edit at: High-Quality WAV - 48kHz / 24Bit High Resolution Mp3 - 320Kbs 1 Mix & Master of 1 of Click Here (Chosen at checkout) DEADLINES Track - 1 Month EP - 2 months Album - 3 months

Normal length of the track being mixed 5 mins (Max) with a 400 track limit. Mastering is a 5 Day Turn Around (Max). PROCESS Line imprint. Professional mix Group Stem Bounce Tape Export. Professional Mastering. REVISIONS 6 FREE mix Revision (of the original Mix) 4 FREE Master Revision (of the original Master) ADDITIONAL PRICING Additional Version - Included Full individual track outs - Included Stems - Included Extra Mix Revision (Mix Revision time frame roughly 4 hours.) - £375 Extra Master Revision - £375 Project Session​ Pro Tools DAW - Negotiable ​DELIVERY 1 Mix & Master of all Edits at: High-Quality WAV - 48Hz / 24Bit High Resolution Mp3 - 320Kbs

The Classic package is used to mix each recording, this means only multi - track outs are allowed. For recording you must provide the WAV or MP3 of the instrumental. No revisions are allowed in these bundles, only the booked time can be used for edits. Each additional Mix revision MUST be paid for by ordering it in the Revision Booking Form. Each additional Master MUST be paid for by ordering in the Revision Booking Form. Any additional exports outside the session such as stems, and multi-track can be requested by the Export from. Deadlines for the 'Opulent Studio Session' must be completed within the timeframe. You can upgrade to the Complete Mix, but it must be requested.

The Foundation Mix package is used to mix each recording, however Group stems are allowed. If you do not provide us the separate stems, Drums, Bass, Melody, Synth, Instruments etc you can provide the multi track-out which we will consolidate into group stems for you. There are no singular discounts you either book 1 ,4 or 12 sessions. If you need extra sessions you must choose between what packages are available. No revisions are allowed in these bundles, only the booked time can be used for edits. Each additional mix revision MUST be paid for using the revision booking form. Each additional master revision MUST be paid for by ordering in the revision booking form. Any additional exports outside the session such as stems, and multi-track can be requested by the export from. Please ensure at least 30 mins of each singular session is dedicated to mixing. Deadlines for the 'Deluxe Studio Session' must be completed within the timeframe.

Booking Blocks Recordings are available for booking in blocks of time, not by the hour. You can book a 2-hour or 4-hour block, etc. Usage and Refunds If you book a 4-hour block but only use 3 hours, you will not be refunded for the unused hour. Conversely, if you require 5 hours but have only booked for 4, you can pay for the extra hour at the rate of £40 during your session. Non-Transferable Slots Booking slots are non-transferable. This means you cannot book 4 hours and split the time across two sessions, nor can you use an hour from a 4-hour booking for a different session. Included Services Each recording session includes a free basic stem mix "Foundational Mix" and automated analogue master. Audio Quality Requirements A high-quality WAV file must be provided for effective stem separation; MP3 files are not permitted. If the WAV quality is insufficient, a recording session cannot be booked. Stem Limitations You can record a maximum of 50 individual stems, excluding the recorded vocal stems. Final Output You will receive two versions of your song: - An MP3 version optimised for phones. - A high-quality WAV/AIFF version optimised for platforms like iTunes, Spotify, and YouTube. Time Considerations It will take approximately 2 hours to complete one song from start to finish, which includes both recording and mixing. Therefore, please allocate an additional 30 minutes to 1 hour within your recording session to ensure eligibility for a stem basic mix. Mix Revisions The "foundational" stem basic mix can be edited after the recording session. You will receive one free revision for any basic changes that will need to be addressed within a week. For further changes beyond the initial revision or timeframe, a new recording session will need to be booked. Please note that extensive mixing revisions will not be accommodated as it remains a "basic" mix. Deposit and Payment A non-refundable deposit of £40 is required to secure your booking. If you do not pay this deposit, your session will not be booked. Full payment for the remaining balance must be made 24 hours prior to your session (unless other arrangements have been agreed upon). Please ensure you understand and adhere to these guidelines when booking your recording session.

Block Booking: Recordings are available to book in blocks, not by the hour. For example, you can book a 2-hour or 4-hour block. If you book a 4-hour session but only use 3 hours, you will not receive a refund for the unused hour. Additional Time: If you require more time than your booked block (e.g., you booked 4 hours but need 5), you can pay for the extra hour at the rate of £25 per hour during the session. Non-Transferable Slots: Booking slots are non-transferable. This means you cannot split a 4-hour booking between two sessions, nor can you use an hour from one session for another session. Free Demo Mix: Every recording includes a complimentary demo mix. Recording Limitations: You can only record and mix over the provided instrumental. Multi-tracks and stems are not available. Output Formats: You will receive two versions of your recording: one MP3 version optimised for phones. one high-quality WAV/AIFF version suitable for iTunes, Spotify, and YouTube. Session Time: Please allocate 15 to 30 minutes of your recording session to be eligible for the demo mix at the end of your session. Demo Mix Edits: The demo mix can be edited outside of the recording session. You will receive one free revision for any additional basic changes that will need to be addressed within a week. If further changes are needed beyond the free revision or passed the timeframe of 1 week, you will need to book a new recording session. Note that extensive mixing will not be included in the demo mix. Deposit Requirement: A non-refundable deposit of £25 must be paid in advance to secure your booking. If the deposit is not received, your session will not be confirmed. Final Payment: The full payment for your booking is due 24 hours before the session (unless other arrangements have been made). You must complete this payment to attend the recording session.